Monday 31 October 2016

WWE REVIEW: Hell In A Cell 2016

Hell In A Cell, a match that should strike fear into the hearts of many. While it still does, it has lost its lustre thanks to the event of its namesake in the last six years that it's been held. Thankfully, last years event gave the match some renewed vigour after some intense and hard hitting matches befitting of its violent history. The question was, with booking issues and crowd retention problems over the last month or two, could the RAW talent keep the Cell's good vibes going or cause the match and event itself to continue a downward spiral that has only had a few inversions once a full moon? With three big Cell matches, including the first time ever that Women will fight within its confines, you can't say they're not trying, but it all matters as to how good the execution is to ensure this event comes out good. Lets find out if it did by going into this in-depth review.

SPOILER WARNING - IF YOU DON'T WANT THE RESULTS RUINED, DO NOT READ ON.

If you've never seen The CC Network's video reviews of WWE events before, my review system that I use for those as well as these blogs will be new to you. Matches are given star ratings in accordance with an average, accumulated score of five rating factors: Psychology (in-ring story), Move Variety, Crowd Reaction, Match Length and Pacing, as well as my overall enjoyment as a result of those factors. 

THERE WILL BE NO ACCOMPANYING VIDEO DUE TO MY CURRENT HIATUS FROM UPLOADING NON-FRIDAY FLASHBACK REVIEWS TO THE CHANNEL.


Now time to get into the show. As I don't review the Pre-Show Match as part of the whole televised package, here's the result of that match:

Cedric Alexander, Lince Dorado & Sin Cara def Tony Nese, Drew Gulak & Ariya Daivari in a 6-Man Tag Team Match (9:41) 

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ROMAN REIGNS (c) def RUSEV IN A HELL IN A CELL MATCH TO RETAIN THE WWE UNITED STATES CHAMPIONSHIP (24:36)
PSYCHOLOGY: 2
MOVE VARIETY: 1.5
CROWD REACTION: 1.5
MATCH LENGTH AND PACING: 2
MY ENJOYMENT: 1
CORRECT PREDICTION: NO

FINAL RATING: *

People wonder what types of Cell bouts have caused the Hell In A Cell match to lose all credibility, I would say that Roman Reigns versus Rusev is a definition of the type. It was a match that already had its feud backwards, with Rusev portrayed a face role more than Reigns was just on attitude alone, and while considering the intensity the feud had over the last four months, this match made some sense, seeing it play out inside the Cell wasn't as rewarding as one would expect.

To be blunt, Reigns got brutalised in this match. He was hit with canes, the steel steps, rammed into the cell from all matter of angle, got his drive-by countered into a clothesline and had an Accolade applied on the steel steps WITH A CHAIN. All that would put any wrestler down, and get rightful vengeance for Rusev considering what Roman has done. Instead, Roman fought off this punishment, showing no signs of selling and won the match anyway. The story and hard-hitting nature of this match, supposed to build suspense and dread was almost non existent. Considering that Roman's protective vest neutered any and every weapon shot, that's understandable, but it's more how quickly the momentum shifted that made this match's sequences while flowing well lack a purpose and feel entirely unessecary. The crowd, who were pro-Rusev seemed to agree too, where outside of a Rusev's weapon usage and the occasional feigned table usage didn't do much to add fuel to the fire that needed to be lit to bring the match to life. Alongside that, this was a match where I suspected both men would want to kill each other, and based on the steady pace and lack of intensity on offer, the match became entirely frustrating, to the point where all of Rusev's efforts to sell his anger, frustration, desire and pain all really went to nothing, all in the want for Reigns to look strong. While the pace fit both mens ring styles and allowed them to keep the match going and not lose tact entirely, it reached its peak too late and should've ended sooner, as the longer it went on, it made the atmosphere worse. While I did like Rusev's prolonged periods of dominance from time to time, it wasn't kept enough or sold enough for me to care.

This match did have its moments, and picked up speed, but to have this match go longer than every match on the card with not too much to report on means it was nowhere near the aggressive and violent brawl I or many were expecting. Instead, it was a match that took a LOT of time to build itself up for a climax that didn't matter. While I usually can let Reigns no selling slide due to how he at least TRIES in other scenarios to give it a go when a big move hits, this match is one where it killed all immersion and suspension of disbelief and as a result made me question whether the drugs he got popped on a few months back were once again in his blood stream, because there was no way after what he went through, he should've won that comfortably. I will give him credit for selling the shoulder after time though, that's where I will give him some credit for following protocol. This match hit the barest of minimums, but honestly, if not for some horrible booking it could've been better and much more well received than what we got.

BAYLEY def DANA BROOKE (6:27)
PSYCHOLOGY: 2.5
MOVE VARIETY: 1.5
CROWD REACTION: 1
MATCH LENGTH AND PACING: 1.5
MY ENJOYMENT: 2
CORRECT PREDICTION: YES

FINAL RATING: *1/4

Dana Brooke and Bayley's feud while natural considering how it splintered off from Charlotte and Sasha's, didn't seem on television to hit the right mark. Whether it was because everyone hates Dana, or can't get into Bayley's stilted moveset yet fun gimmick is beyond me. I'm the biggest fan of Bayley around, but pairing one awkward mic worker and solid but not great in-ring worker with another didn't make for the most entertaining television. On PPV however, having the story of one-upmanship and power complex come through was just what this event needed following the Hell In A Cell Match that came before it.

Dana's immediate and continued targeting of Bayley's injured arm throughout the match was a joy to watch, with her showing more intensity than Reigns or Rusev did for most of their near twenty-five minute bout. She showed great pleasure in breaking down Bayley, berating her and reminding her who is the dominant woman in this feud and it played out greatly, with Bayley selling well too. The match went at a slow but steady pace with infrequent offence from Bayley speeding things up when needed to give it some flow and keep it going. Dana also showed off some nice moves with a handstand foot choke in the corner and an arm and leg back wrench being the highlights. While I can praise Dana all the way for what she added to this match, the crowd weren't into it. They were silent for long periods, waiting for momentum to shift and see Bayley fight back like we know she can. When it did eventually happen, they still didn't care as it made no sense considering how little offence the Doctor Of Huganomics got leading up to it, with her eventual win being anti-climactic rather than joyous, which what I think WWE were going for.


While I did enjoy this match from a storytelling standpoint, and showing that when the circumstances are right, Dana Brooke has potential, once you peel that away the match has little to stand on. It had just enough to be something watchable but went too quick for what went on to have its conclusion make any semblance of sense. If not for what the match offered in story making me want to watch, we'd be looking and a below one star contest. However, I'm happy that a match I thought would stink proved to be more than I expected. It may have been predictable, but they did what was nessecary to make its story and Dana Brooke look good considering how apathetic the crowd have been to it on RAW and this night. It may not have been too good to have my praise stretch further, but I will give both women credit for trying, and that's all I ask.

KARL ANDERSON AND LUKE GALLOWS def ENZO & BIG CASS (6:45)
PSYCHOLOGY: 1.5
MOVE VARIETY: 1
CROWD REACTION: 2
MATCH LENGTH AND PACING: 1.5
MY ENJOYMENT: 1
CORRECT PREDICTION: YES

FINAL RATING: 3/4


For a match involving two teams who are polar opposites and really hate each other, I first have to ask why it didn't feel more intense than it did? Even more, I have to ask how Gallows & Anderson, via winning, look WEAKER than they were going into it? Well, when looking at this match in in-depth, it's easy to see why.

From the moment their Enzo & Cass's protracted but occasionally funny opening promo ended, the interest in the match died while their opponents got to the ring, which isn't surprising. To see Enzo and Cass go right for their opponents and overwhelm them, I again see no problem, they're almost in a second home and used their quick offence to rally the crowd behind them, insulting Gallows on the apron in the process. That's all good, but it's also where the match's good points end. Once Gallows & Anderson got ahold of proceedings and took momentum in their favour, the match nosedived. While I can appreciate the former Club heavy's move sets and devastating moves, seeing other teams be decimated by them for long periods only to recover and win means their offence has little to no impact, and while Enzo got decimated, Cass didn't seem phased and made these two agile yet strong competitors not have the BITE that their offence deserved. While the pace was kept consitent, momentum shifted slowly, while trying to enhance the dominance of Gallows & Anderson, didn't help them either way as the crowd while occasionally loud still don't appreciate the methodical ground game that accents their hard hitting strike and grapple game, which made the match feel slower than it should have. While Cass was disposed of, and Enzo pinned to give Gallows & Anderson their first PPV win in a while, they didn't look like they deserved it because Enzo and Cass were looking stronger going forward in the bout, which made me feel like that win was undeserved. If you look back to their Clash Of Champions clash with New Day, they dominated and lost, which as mentioned earlier ruined their credibility, so winning with not as much going on doesn't help matters much.

Overall, what's important is that Gallows & Anderson DID manage to pick up the win, with Enzo and Cass driving the match forward with good use of pace, crowd and psychology. However, when looking at the match as a whole, it went a little short and didn't give itself the time to mature, with an extra four or five minutes needed for a story to properly grow from it. The match's small parts when summed together have the potential for something good, but just didn't do enough to warrant much and as a result, it's another undercard bout that fails to deliver on itself, something of a running gag at this point and not something this event wants to hold.

KEVIN OWENS (c) def SETH ROLLINS IN A HELL IN A CELL MATCH TO RETAIN THE WWE UNIVERSAL CHAMPIONSHIP (23:10)
PSYCHOLOGY: 3.5
MOVE VARIETY: 2.5
CROWD REACTION: 3
MATCH LENGTH AND PACING: 4
MY ENJOYMENT: 3.5
CORRECT PREDICTION: YES

FINAL RATING: ***1/2


Kevin Owens in a Hell In A Cell Match? Take all of my money. Owens taking on Seth Rollins' inside the Cell? Rob me at gunpoint why don't you. This was a match that on paper was going to be good regardless of outcome and in all fairness had the bitter rivalry to go with it. The Cell also had a purpose for this bout, to keep Chris Jericho out to ensure Rollins got a fair crack at Owens. All makes sense in love and cell-based warfare and through some ingenuity and some good spots, this match managed to live up to its billing and be a match worthy of main eventing any show, yet be in the mid-card here.

With Owens hurting Rollins' back last week, you'd think that would be the main story point of the match, you'd be wrong for about 50% of it, with the bout having half of its time going towards said back injury and Rollins' use of endurance to fight the pain, while the rest was solely focused on Chris Jericho's part in proceedings. Owens may have played cowardly early in showing apparent fear at a resurgent Rollins coming at him but it worked as a ploy to leave him open to be beaten down and have that back targeted whenever possible, with Owens taunting down at him like the true heel he is. He hit his Running Senton Splash onto the back, ripped the protective tape off and hit his cannonball into the cell wall, pushing the back into it, all with Rollins wincing and holding in periods as the endurance he built up after suffering his near career-ending knee injury came into effect allowing him to get back into the match. This first portion of the match was quick at times but methodical and slow enough to allow the intensity to come through and allow Owens' destruction to resonate. The crowd were hot for Rollins at the start but with Owens having momentum, they were a little absent and quiet as they watched their hero being picked apart, at times clapping out of respect at how resolute he was. Once  momentum finally shifted to Rollins, Owens cleverly used a fire extinguisher on the referee allowing the cell to be unlocked and giving Jericho the chance to get in and lock the door. While it meant that Rollins' amped up the pace with some great moves and spots, with the Falcon Arrow on the apron and the Powerbomb through the tables got the crowd on their feet, the punishment of earlier started to finally show on Rollins as he couldn't get the pin with Jericho pulling the referee out of the ring even after being incapacitated by a Pedigree. Rollins, not selling the back, kicked out of a Pop-Up Powerbomb, in a dramatic moment before the power game of the dynamic duo set in, and with a powerbomb through two chairs, Owens came out on top, looking strong even with assistance with the crowd buzzing after what they'd witnessed.

The story of the match, the varied moves and great crowd reaction gave this match a big time feel while the pace fluctuating kept things flowing consistently alongside the good amount of time it had to build, to give this match the true devastating feel that a Hell In A Cell match needed. While at times Rollins wasn't selling his back ruined the feel of the pre-match storyline, Jericho's involvement by some great ingenuity by Owens meant it didn't feel forced and made up for whenever Rollins' end of the bargain wasn't holding up. The match needed say one or two big variant moves and more use of the cell to put its rating near four star territory, but all in all this match was the booster in quality the event needed, and it came just at the right time, halfway into the shows card.

BRIAN KENDRICK def TJ PERKINS (c) TO WIN THE WWE CRUISERWEIGHT CHAMPIONSHIP (10:30)
PSYCHOLOGY: 1.5
MOVE VARIETY: 1
CROWD REACTION: 1
MATCH LENGTH AND PACING: 2
MY ENJOYMENT: 1.5
CORRECT PREDICTION: YES

FINAL RATING: 1/2

It's safe to say that the Cruiserweight Division while providing us with some new talent to an already burgeoning Monday Night roster hasn't been used to its full potential, it's matches while athletically sound have been lacking a sense of importance, something has made the crowd apathetic to their talents and made any match feel underwhelming, including its main title feud which while being a decent affair at Clash Of Champions has burnt out a month later to where Brian Kendrick's title victory didn't have the impact it was meant to.

This title rematch was had a story that made no sense going in (why would Kendrick want Perkins to lay down for him when he's bested the champion week after week), so when push came to shove, the momentum was never really there. When you combine the crowd not caring due to the slower pace and less 'impressive' move set that was present in the 6-Man Cruiserweight opener and you get a match that was never going to live up to the pleasant bout that came a month before. It was one that went on for too long with much happening, and a botched wrist tape/rope wrapping spot that failed instantly the minute Perkins' tried to move, which instead of empowering the wiley Kendrick made his skills come into question and make the lean Perkins look stronger than many would expect. Even with its quality looking suspect, we did see some fluid move sequences and momentum shifting to allow both men to look equal and a nice bridging back suplex from Kendrick coming out of a wheelbarrow position was a nice treat, while the facade of Kendrick's knee problems playing to the sportsmanlike sensibility that Perkins holds allowing a cunning Kendrick to come out winning by being a devious cheat rather than hold legitimacy like he did in their prior PPV bout.

This was a match that should've been a more energetic one highlighted Perkin's determination and allowed Kendrick to thrive and showcase his ring awareness. While that was the plan, it didn't come off smoothly and desended into a match that with crowd apathy following Owens and Rollins' efforts and without the 'kicks and flips' being prominent, was to doom it without much thought. While it had minute glimpses of what was planned to make the match enthralling, seeing these two go at it on screen week after week and poor card placement meant it was tired and out of breath before getting out of the gate, which is disappointing to say the least. Imagine if this was on after Reigns VS Rusev, it would've done much better than what we got.

CESARO & SHEAMUS def THE NEW DAY (c) by DISQUALIFICATION, THE NEW DAY RETAIN THE RAW TAG TEAM CHAMPIONSHIPS (11:19)
PSYCHOLOGY: 1.5
MOVE VARIETY: 1
CROWD REACTION: 1
MATCH LENGTH AND PACING: 1
MY ENJOYMENT: 1
CORRECT PREDICTION: YES

FINAL RATING: ZERO

The New Day's lack of credible opponents on the RAW roster is now staunchly apparent, the notion that they must look strong even in the most random of defeats doesn't help them, in fact it makes the most important and defining period of their title reign look weaker by comparison. While the team of Cesaro and Sheamus had been entertaining to watch in seeing how their fractured tandem would survive going into the match, seeing them defeat their PPV opponents a week before the show was a negative move as this match unlike its RAW counterpart had no pulse and didn't seem to WANT to progress to something good regardless of the action within it.

To say that this match was a stilted and undignified mess would be cruel on the five competitors within it, but seeing as it started off with a Xavier Woods hurricanrana botch and failed to rally forward from it, is endemic of its lack of quality. While Cesaro and Sheamus shrugged off of tags, the apparent dissension that festered backstage prior to the match wasn't there once the bell rung, make the crowd not have a reason to really care, when you combine that with a sluggish pace and minimal offence that we have become accustomed to from all competitors, the match came across as one that wasn't a 'struck lightening twice' venture that I'm sure that RAW's creative team wanted it to be. While I'm being quite critical on this match, the end was actually the contest's only shining moment by having Sheamus hit Cesaro with a Brogue Kick and the resulting melee coming from a disqualification amped up the frustration the two winning parties already had and it makes many question how, who and when New Day will lose, considering they could barely come out of this match with their dignity. While many will criticise this finish as uninspired, it brought heat onto New Day as Demolition's record edges closer and makes their opponents have an even more volatile relationship that could explode in Mick Foley's face on RAW tonight.

However, this match outside of that moment was nothing more than a standard throwaway RAW match that didn't produce any real excitement. This should be a lesson to RAW's creative team, don't give away a match on free TV SIX DAYS before a major show, because not only did you put on the better match one week ago, but you sucked this match of all of its life because we'd already seen it done better. All in all this match shouldn't have scored this rating, but it did because of ineptitude on WWE's part, amplified by its placing in the spot before the main event, where the crowd were barely going to muster anything as they were saving themselves for the Women's Cell Match instead. WWE, next time, think things through and you'll come out with more than a ZERO for your efforts.


CHARLOTTE FLAIR def SASHA BANKS (c) IN A HELL IN A CELL MATCH TO WIN THE RAW WOMEN'S CHAMPIONSHIP (19:50)
PSYCHOLOGY: 4
MOVE VARIETY: 3
CROWD REACTION: 4
MATCH LENGTH AND PACING: 4
MY ENJOYMENT: 4
CORRECT PREDICTION: NO

FINAL RATING: ****

The first time Women main evented a PPV show, and were inside the Hell In A Cell. To say that means this match is historic before any bell rang, with both of these women coming out with entrances to match the occasion. As the Cell matches of earlier in the night ramped up the intensity and violence as the match went on, it became apparent that this one would have to rival some of the Cell's greatest bouts in order to succeed. I can say, that even though it didn't take too many risks, it sure managed to make itself a memorable and exhilarating contest.

With Charlotte's attack and subsequent powerbomb of Sasha through the announce table before the bell had even rang, we got a protracted but lovely story-building segment were 'The Boss' was nearly carted out on a stretcher only for her to get back in the ring and refuse help. Once the bell finally rung, all hell broke loose as these two long-term rivals tried to kill each other. This was a fight, not a wrestling match and it came through beautifully with the sheer risks these two were taking, with every move being reacted to with trepidation by the commentators and watching audience. While not all moves came off with two botched table spots ruining the flow and feel of the match as a whole, the addition of chairs and unique usage of the cell wall with a spiderman grab and leap by Sasha and a monkey flip into the wall by Charlotte exercising this matches simple barbarism. The addition of chairs to the match made it worse, with a side walk slam reminiscent of HBK VS Triple H from SummerSlam 2002 making Sasha's battered back even worse than it was before. Sasha also used the chairs intuitively, with a double knee turnbuckle press into one and getting out of the Figure 8 with a chair to the chest. No matter what Sasha did, Charlotte fought back even harder, emphasising that these two were not only equally goof, but equally passionate and it gave this match a flavour of unpredictability that the fans ate up. Momentum shifted all over the place and the pace kept consistent despite occasional stoppages with Charlotte targeting the injured back with every move she got, and while Sasha got back into it, a turnbuckle table spot failed and one Natural Selection later, Charlotte's unbeaten PPV record remained in tact.

While the finish was unexpected and out of place, the rest of the match minus the table botches was great and it built greatly as the time went on. Considering the pre-amble took up nearly TEN MINUTES, this match could've easily been longest match of the night and in my opinion should've had the bell rung anyway just to make it have more impact and go even longer to build the drama naturally rather than have the matches' beginning feel forced. While at times the risks taken didn't pay off, Sasha's selling was so good, I couldn't tell if she was legit hurt. All in all, this was the type of ferocious match that the event needed and it showed that the women could tell a better story than most of the men in what was a stellar contest of endurance and physicality that did exactly what it needed to do, it kept Charlotte strong while Sasha came out of it looking like a badass. While it didn't go upwards of its four star mark due to those botches, it could've been much more, but to have it rank as the best main roster women's match I've ever seen, I could think of no better accolade for it to get.

FINAL THOUGHTS
Considering No Mercy's poor performance, I was expecting this show to ramp up pressure on the blue brand and showcase RAW's talent pool under stipulation could deliver the goods. I'm sad to say, that outside of two of the 'Triple Main Event' matches, the card stunk and its quality declines rapidly as a result.

While having a four and three and a half star match respectively on the card is great and gives it some breathing room, the rest of the undercard including the other part of the 'Triple Main Event' felt unbelievably flat, with the undercard showcasing massive issues in regards to story building on the weekly show, because without the flames burning to give them life, the matches as in-ring contests didn't have anything to get this Boston crowd excited and as a result, have me at home wondering how matches with good wrestlers in them could disappoint and leave me questioning how a three-hour show could struggle to build these matches up right? When you combine the match placement on the card occasionally not working and some matches going shorter than nessecary to accommodate the Hell In A Cell matches, the event at times felt rushed and lacking cohesion, which resulted in an event that up until the main event had mostly left me wondering why I'm still watching. Luckily, the main event and Universal Championship matches gave the card enough clout to have me thinking I had spent my time wisely, too bad I had to sit through nearly two hours of mostly rubbish to get to it.

While SmackDown failed at supporting its undercard at No Mercy, they had to deal with a Presidential Debate, resulting in a card reshuffle at the last minute that dogged the night. Hell In A Cell had no such issue, and followed the same platform as the blue brand, showcasing problems with their weekly show that need fixing in order for their PPV quality to improve. As next month we have a duel-branded show, it may not seem too bad, but we'll have to wait and see, as this PPV's results and quality leaves me wondering how a FOUR-HOUR Survivor Series can pick this companies' PPV product out of a pit that's starting to fill with dirt as the winter nights loom over it. This was the worst PPV of the year so far, and I'm hoping it picks up soon or we could find the once proud 2016 PPV calendar be buried under the weight of my own irritation and disappointment.

HELL IN A CELL 2016 GETS A 3.25 OUT OF 10

In relation to other 2016 events, it lines up as follows:

Payback: 7.75/10
Royal Rumble: 6/10
Battleground: 6/10
WrestleMania 32: 6/10
Backlash: 5.75/10
SummerSlam: 5.5/10
Clash Of Champions: 5.25/10
Extreme Rules: 4.75/10
Money In The Bank: 4.5/10
Fastlane: 4.25/10
No Mercy: 4/10
Hell In A Cell: 3.25/10
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I've been Freddy Thomas, you've been people reading. This has been the Hell In A Cell 2016 Review for The CC Network Blog and I'll see you all next time.

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Wednesday 26 October 2016

MLP SEASON 6 REVIEW #10: To Where And Back Again (2-Part Finale)


ORIGINAL AIR DATE: 22/10/16 - Written by John Haber & Michael Vogel

WARNING: SPOILERS AHEAD

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It's been awhile, since I last did an MLP Episode review on this blog. In fact, not since "Dungeons And Discords" got analysed back on the 1st September has one been posted. While analysing the episodes is still fun for me, putting it down in a blog every week proved difficult to maintain, especially when some episodes happened on the same weekends as WWE PPV's meaning I had to prioritise my wrestling reviews over them. However, even with that happening, I wasn't going to miss the finale, as it's always worth relaying an opinion on regardless of other things getting in the way, which thankfully this week of all weeks isn't a problem for once.

While the episode has been out for a week or two thanks to the unexpected POP TV airings here in the UK, I've somehow avoided spoilers outside of the brief synopsis that adorns the official pages with it revolving around Starlight Glimmer's position to be in charge of saving Equestria from a villain, and needing a group to help her. Outside of that, I have absolutely no clue what will happen. I can't believe I've managed to to avoid spoilers for this long, then again it'll help ensure this two-parter remains surprising on the first viewing. However, it's how it turns out on the SECOND viewing that's the most important and what this review is based on. It will define whether the end of Season 6 can be better than the average way it started back in March.

To put it bluntly, I can't wait any longer, lets dive into this thing!

STORY AND NARRATIVE
If there's one thing I know about the synopsis that Discovery Family and Hasbro release about episodes, is that they often reveal too much. Thankfully, this two-parter had its synopsis remain intentionally vague, amplifying the notion that we're going to get surprises here. While some aspects did, what surprised me more was just how well constructed this whole story was, and it offered up a lot to be pleased about when looking past its apparent simplicity.

With two plot points of Starlight's anxiety about going back to 'Our Town' and the Changeling Invasion, it allowed the episode to have its underlying plot and be padded out to still have points of interest that all its time could be poured into something, meaning the state of equilibrium didn't last too long in this episode, getting progressively worse for a good reason, to fill the viewer with a sense of dread that a post-evil Starlight still had its dangers, as if "The Times Are A Changeling" wasn't apparent enough at highlighting. The structure of the story also bucked finale convention but leaving its ending open with Chrysalis rejecting the fate that befell Starlight herself and escaping, it leaves us with a revenge storyline that really intrigues and it was a great twist to ensure we were pumped about what would happen come next season, something last seasons finale failed to do. The pacing was consistently steady, not going too fast or slow and allowing for the music and character interactions to carry themselves without having to rush, with Discord teleporting our 'heroes' to the outskirts of The Changeling Kingdom and Thorax negating a reason to go to The Crystal Empire helping avoid any potential stretch of the story to ensure that the pace remained uniform without any unnecessary elements being added. Also, due to this finale having characters who've never been in this position before, the writers could play with our expectations some more, as when all seemed good in our 'heroes' favour, it still wasn't clear that they would get out alive, something that prior finales had fallen complacent on, as Starlight's inexperience in this kind of situation left us guessing whether it could be done. The balance of drama to comedy was skewed more in favour of the former, with minute elements of comedy coming through but not disrupting the dark mood of the episode as a whole, breaking up the tension but to allow the tone to remain remarkably consistent.

The episode also THRIVED on showcasing sublime continuity, with Starlight returning to 'Our Town' for the first time since the end of last seasons finale, Luna referencing how The Mane Six would help Starlight like they helped her post-Season 1 and her similarity to Twilight's pupil, Trixie being a great friend to Starlight while also intentionally getting under Twilight's skin after the events of "No Second Prances", Discord's love for Fluttershy being even more apparent and his resultant magical deficiency making him succumb to weakness and be put down a peg for the first time since "Make New Friends But Keep Discord" last season, Thorax had to return to his hive having left it at the end of "The Crystalling", and finally with Chrysalis returning for the first time since "A Canterlot Wedding" and referencing her past failings, all seemed right in giving this story enough weight to ensure all these characters felt worthy of tackling this story with what was behind them.

While I may sound incredibly positive in this long, detailed sum-up  of the story, it wasn't without fault, however that fault for me would have some dire consequences that ensured that a top rating couldn't be reached. Firstly, The Changeling reveal was quite obvious and easily foreshadowed. If the dialogue changing and shifted character personalities didn't tip you off, the animation cues were there to support them, and even if THAT didn't work, the sight of Spike drawing stink lines around a pony before their reveal all but compounded things. Then again I'd already figured out through deduction and a process of elimination that Chrysalis was the ONLY former villain who could've made an appearance prior to the episode airing, so it wasn't a surprise to me, then again I don't think it was a surprise to many either, making this twist not have the bite expected. Secondly, and most damming of all was the sense of time  didn't correlate with the pace of the episode at all. I say this because I wonder how the core characters arrived at the Sunset Festival with it being almost over when it hadn't started by the time The Changeling Invasion started. It was a week-long event as noted by Starlight, with her receiving her invitation and travelling with Trixie taking at least two in-world days to complete on its own, while traveling back probably taking another. The day the Changeling Invasion was uncovered is when it probably did start, with another day coming to view with the heroic quartet arriving at The Changeling Kingdom, they arrive at the hive by sundown, only for daylight to emerge when it is destroyed and thanks to Discord's teleportation taking no time, I'm certain its the same day of arrival in getting to the festival. To me, having the festival be 'almost over' given that length of time makes absolutely no sense and ruins the structure of the story with the most ridiculous of plot holes. Sure, I can understand the writers wanted the story to come to a close in a lovely resolution of this part of Starlight's story but doing it at the cost of world time progression wasn't a good idea as the hole it created leaves me with an inconsistency so bad, it comes at this categories cost.

So, as a result, while we got a very well structured, intense and fun story that was paced and toned to perfection with continuity and and a good use of narrative helping, it was foreshadowing and an inconsistency with time that stopped it from reaching the top marks it deserved. I'm sad to have to say that and it might be me nitpicking, but with FOUR DAYS having passed since watching the episode to have that issue still irritate me when it crosses my mind proves that this episodes story while great, fell at last hurdle after running a perfect race beforehand. It is something this episode didn't need to have happen to it, but as this is life, these things can happen sometimes and it's unfortunate to have leave a black mark on an otherwise great category for this episode.


RATING: 4 out of 5.

WRITING AND VOICE ACTING
Finales in the past have managed through writing our main characters to respond differently to the gravity of their ongoing problems to give them a unique flavour while also giving the humour this is known for to not have the tension and darkness become an overwhelming feeling. I've already established the balance of tone and genre was done well, but it wouldn't have been done if we didn't have the characters we had running proceedings.

Instead of The Mane Six, we had four reformed villains take centre stage to save Equestria, with all of them showing their strengths and weaknesses while the quartet balance the tone by having two focus on the drama (Starlight and Thorax) while the other two created the comedic relief the episode needed (Discord and Trixie). All four characters got good development out of it as well, which makes this episode one of the best usages of a 'collection of secondary characters' I've seen on this show. Starlight got the biggest rub of this, showing herself to be a good leader in spite of her self-deprecation, using her past and worries as her biggest weapon as she helped save Equestria much like her teacher did five seasons prior. Trixie showed off her double edged sword personality with vigour, something that "No Second Prances" struggled with, reminding me why I love her so much. She was a good best friend to Starlight by offering her good advice and sacrificing herself for the good of the team, while also re-affirming her anti-Mane Six attitude that stemmed from prior seasons, which when combined with the hyperbolised amount of fear and reactions she had stemming from that initial interaction five seasons ago, made her come across in this episode as a much more elaborate character in comparison to the hatesink we first met in "Boast Busters", while proving more hilarious in the process. Discord was his usual over the top self, but added even more emotional complexity when it came to Fluttershy's wellbeing, which was quite incredible to see. Having the Lord Of Chaos losing his ability to do magic may have seemed a bit much, but in context it worked wonders for him in realising how useful he is without it, and by showing a weaker side of him we could see him in a more sympathetic eye, something his Season 5 episodes couldn't achieve where this episode and "Dungeons And Discords" managed to pull off with gusto. While that is all well and good, his position at the forefront of the comedy and his biting wit alongside made him feel important to the group despite not offering much once in The Changeling Kingdom. Thorax had the least amount of significant character progression of the four, still being the re-assured and curious critter that had obviously learnt a lot from being reformed, being the brains of the group to get the group going through the hive he once belonged to. However, even he showed weakness through a panic attack at any sight of problems occurring, noting his worries in "The Times They Are A Changeling" weren't a one off in his personality while his natural confidence in others came across nicely, using his love to go under a massive visual transformation that was lovely to see.

Chrysalis was the same totalitarian and self-absorbed villain we'd come to expect, but to see her rage had increased ten-fold and the fear factor was as strong as ever allowed to show flaws in her rhetoric, making her showcase her strengths and weaknesses like the main characters had. Her domineering presence was incredible and added even more tension and a sense of impending doom that few villains have accomplished in this series, which made her decline of reformation come as no real surprise but still shocking in how intense it was. She looked strong in defeat and left herself as part of the narrative for future episodes, which is something only Starlight Glimmer can be on par with. The Mane Six didn't have much time at all, but they all showcased their personalities that made their former elements come through in re-assuring Starlight, while their Changeling forms offered the shift in tone the episode needed to progress, with it being quite a stark and blunt shift at that. Finally, the members of 'Our Town' got little time, but what they did with it inside and outside of a dream helped realise Starlight's fears and issues, doing so with both sides of the emotional coin. On the voice acting front, we got ranged, emotional and vibrant performances from all concerned, our 'heroic qaurtet', Chrysalis, The Mane Six in normality and Changeling forms, Princess Luna and even the citizens of 'Our Town' in and out of dream sequences. It gave the episode some serious heft and made it feel like a big deal, which is all we can ask for.

All in all, in terms of the writing of the characters and voice acting, there was little to nothing I could critique. The characters got progression and were well built up, there was a great balance of humour, drama and downright terror in the sum of its parts and had voice acting that showed dynamic range from all concerned across its entire runtime. All in all, what more can I say? This finale did its job very well and I can't praise it enough, which is all I want from an episode on the level of this one.


RATING: 5 out of 5.

ANIMATION
Animation is usually a finale's best friend, with both working in tandem to give the end to a season the glorious send-off it deserves by knocking multiple visual home-runs out of the park. The last two season finales have been visual masterpieces with their variety, set pieces and attentions to detail that make them like diabetes for eyes, thanks to all those colourful E-numbers being thrown at the viewer. However, unlike those two, this episode threw a curveball, as animation took an unusually reserved seat to the party this time round.

To see this category be low-key at a point like this is disappointing, but that doesn't mean it didn't turn up. We had shifting locations, abstract elements messing with things, new designs and moments of utter brilliance with magic. Firstly, as it's become a thing, the wide range of facial expressions were glorious to look at, with the best ones coming from Starlight Glimmer, a pissed off Twilight and of course, Trixie who from narrowly escaping changelings in the castle to meeting Discord gave the expression performance of a lifetime, and I can't stop laughing at the sight of her screaming silently in Starlight's lovely bubble with so much fear imposed on her face, it was the highlight of the episode for me and I'm not kidding. I've just noted to Starlight's magic creating nice things, with her invisibility cloak and defensive barriers being a nice use of visual effects to add depth to her powers while Luna's capture resulting in the plughole effect was awesome. The aura and effect of Chrysalis's magic and the Changelings SHARING their love creating light effects in the only major set piece of the episode made it feel grand. Discord got his turn showing his elongated eyes and stretched face alongside his batch of world changing mayhem, Thorax's crystal wings were quite cute and the eventual shift in design for the Changelings themselves was just sublime. The Changeling hive thanks to its camera depth looking like Mount Doom, fitting of the episode sharing a title from The Hobbit, the design of the hive was great and the communication screen the changelings used as noted in the screenshot used some great whirl effects and those pods had nice detailing too.

It seems I've listed a lot here, so why does it rank low, as you can see below this paragraph considering? Well, as the animation elements were spaced out across the episode, they only served as a way to pad the episode and not distract from the story. Which I will congratulate it for, however as it was a finale having one low-key set piece that not until the changelings reveal their colourful forms felt disappointing in retrospect. The amount of fun transitions were restricted to two Changeling fly-ins, while the Changeling Mane Six used subtle visual cues to imply something was 'different', had their effects removed due to the voice acting doing no favours, not to mention re-using the same entrance to 'Our Town' three times didn't help with things. The animation category is assured a five most times because of the sheer insanity of it, to see it so underwhelming is disappointing, but given the tone of the episode and what it was doing, it didn't want to overshadow it and keep you reeled into the tense atmosphere it was creating, as a result the category suffers for it, but considering its limited presence at times, it had a good run and did well, despite the episode actively wanting to rebel against its norms.


RATING: 3 out of 5.

MESSAGE
After having some messages in finales fall flat in the past ("Best Night Ever" and "Magical Mystery Cure" I'm looking in your directions), it's important that a moral within a finale is strong and fits at home within the episode at hand. Thankfully, with two on hand supporting one another the moral rang home loud and clear, without too much effort really.

Both of these messages occur with different pace and build-up, with one slowly progressing as the episode goes on, with the other springing in when convenient to ram home a point. In the case of the latter, thanks to the continuity of Starlight's past discretions and the growth Thorax has had since "The Times They Are A Changeling", the notion of focusing on embracing the unifying aspects of good leadership made thematic sense and unlike some of the putrid saccharine bile that is exuded from Twilight at times, the message carried immense emotional weight and significance, making it not only key to the episodes story but a lesson that anyone could take from it and apply to reality and not have any issues. The former, is the more protracted option but its effectiveness is still present, as we see Starlight build herself up (mostly against her will) from being resentful of leading to stepping up and showing her abilities in good light, especially being apparent when she encourages Discord to not be hard on his own abilities minus magic. She struck back at what she once fear and overcame her anxiety to take control for good this time and to have her confidence close the episode was a nice touch at showing how well made this message was. While these two messages were great, there was an underlying message to those socially anxious people out there thanks to Trixie's 'good' advice about consigning your problems to the past. It has even more weight when it's encompassed in the story, as the Changeling Invasion becomes bigger than Starlight's anxiety, it's a handy lesson that no matter how big your problem may seem, it's not as big as you think and there are other things worth worrying about.

The messages in this two-parter have worth, they have purpose, they have meaning and importantly enough sincerity and weight to be considered flawless, at least for me. The episode was built around them and it wasn't being shoved in your face, allowing them to come about naturally. It was a dictionary definition on how a message (or two) can be applied in an MLP episode and it was a fine exhibition to see, resulting in the highest rating on offer.


RATING: 5 out of 5.

MUSIC
I've already mentioned how against the grain this finale is in terms of story, writing and animation, and now for an almost perfect sweep of my categories, the music follows suit. This is the first finale of MLP to not have a musical number in it. It's honestly shocking to type such a thing but yeah, it's true. To see an MLP finale without an opulent musical number sounds sacrilegious, but it's also incredibly refreshing. If the musical number was in place, we'd have issues with the already noted great pacing and as the episode went on, there just wasn't a place for it and we got a historic first in the process. While I am happy that this was done, it also comes at a price to the category as a whole. The score did fine on its own, but it didn't do enough to go into the higher echelon that a musical number would've helped, as they usually add TWO points on its own.

Even though this is the case, I don't want to put a damper on what the score did in establishing settings, accompany moments and characters to give the story some vibrancy with multiple genres, pitches and tones on show to replicated the variety of characters on show. Trixie got her gypsy-sounding piano and strings to go with her 'mystical' element, Discord got his minimal accompaniment and a whimsical circus theme, Thorax got some magical sounding choral elements for his wings and a good amount of high octave keys and strings symbolising his importance. Starlight got most of the standard fare, but thanks to some joyous musical cues had her dialogue making me squeal in delight, and I'm looking at you description of the festival to 'Twilight', that was glorious. The music for the intro was fun and a good range of scale with the strings and wind instruments, and as the episode went on the tone of the music went with it getting more subtle and dark, allowing the Changelings threat to be amplified. We also got some lovely brass sections for when our four reformed villains didn't get along, emphasising their issues but also making their quabbles have a sense of irony to them.

All that was there served a purpose and didn't get lost within visuals that periodically showed themselves. However, while I can give the score credit for padding and adding things to the episode, much like the animation it took time to get going and went through chunks of the episode not striking a chord, this is particularly notable of the second episode, which outside of the standard fare and the dark ominous orchestral cues for Chrysalis's tirades not much came to the front. Thankfully we got a love subdued by mystical synth and string piece to make the Changeling revolt's aftermath feel special. Do you understand what I was alluding to earlier? The musical number while happily absent, was also what the music needed to round everything off. It feels weird to be both happy for its absence yet also feel aggrieved that the episode suffered partially without it. Nonetheless, the score did enough to keep its presence with just enough variety to make me notice, it's done its job and I can't be disappointed with that.


RATING: 3 out of 5.

FINAL THOUGHTS
"To Where And Back Again" did something I didn't think was possible, and became the 'Anti-Finale'. It bucked all forms of convention associated with a finale this series produces and unlike many episodes this season has a clear outcome to ensure we were left knowing where the series was going and that we wanted more from it. It felt intense and funny while not diluting what it was trying to tell the viewer throughout. While the episode seemed destined for perfection, some of the reasons why this two-parter was special are also the reason for it not reaching those lofty heights.

The writing and message were some of the best all-round I've seen, with the story and narrative almost following in tow. The animation and music while supporting the story did enough to substantiate themselves and allow this episode to progress naturally and be a very entertaining and driven property that I couldn't shy away from as I was on the edge of my seat. We got an open ending and a villains decline of reformation, former villains running proceedings as main characters, a lack of animation flourishes and no musical number, which will ensure this finale was unique and gave us a sense of unpredictability for big episodes going forward knowing that this formula is seemingly dead and buried. However, in doing these brazen and brilliant changes, straying from convention is what created its problems. With a lack of major animation set pieces and a musical number, the visual and audio punch we'd usually come to expect wasn't as potent, however my frustration is more held towards the issues the story had though. While the music and animation did enough to give this episode the mark it will receive, if the inconsistencies with time and the predictable foreshadowing in the Changeling reveal weren't there, it would've gotten the lone rating mark the episode would've needed to score the twenty-one out of twenty-five nessecary to join the elite collection of episodes that I rank as the 'best'. To lose that honour by such small circumstances is incredibly frustrating, as such an enjoyable and fulfilling episode such as this one deserves to be there. Then again, it defied convention again by not using its status as a finale (or premiere) to force its way into my permanent good book, so this finale really doesn't want to conform, in knowing this I can actually be happy as from my standpoint, no finale or premiere will feel the same as this one, making it a truly unique experience.

This finale was expected to be the series last by some before the announcement of Season 7 came in the past fortnight, and this resounding success of an episode was a message from the crew that  the show is still alive and well by throwing convention out the window and showing itself to be the ultimate kickstarter to where our hype for next season can begin and follow on from it. This finale did what one should do by leaving me wanting more, and as a result, the Spring can't come along soon enough. While this season may have started out back in March with me unsure of where the show was going, I can safely say that thanks to this finale, there is a clear direction for the show now and I couldn't be more happy at that. While this episode wasn't the outright best of the season, it was a fitting closure to a tumultuous period in this shows history showing what can happen if you power through and see things in a positive way, because anything can happen when you put all pieces in the right place, as this episode is mostly a testament to.

FINAL RATING: 20 out of 25.

LETTER GRADE: B+

Here's how Season 6 lines up in ascending order:

A HEARTH'S WARMING TAIL - 24/25, A
ON YOUR MARKS - 22/25, A-
EVERY LITTLE THING SHE DOES - 21/25, A-
TO WHERE AND BACK AGAIN - 20/25, B+
DUNGEONS & DISCORDS - 20/25, B+
GAUNTLET OF FIRE - 19/25, B+
STRANGER THAN FAN FICTION - 18/25, B
TOP BOLT - 18/25, B
THE TIMES THEY ARE A CHANGELING - 18/25, B
THE FAULT IN YOUR CUTIE MARKS - 16/25, B-
BUCK BALL SEASON - 16/25, B-
THE SADDLE ROW REVIEW - 13/25, C
FLUTTER BRUTTER - 13/25, C
28 PRANKS LATER - 12/25, C-
THE CRYSTALLING - 12/25, C-
SPICE UP YOUR LIFE - 11/25, C-
THE CART BEFORE THE PONIES - 10/25, D+
VIVA LAS PEGASUS - 8/25, D
THE GIFT OF MAUD PIE - 7/25, D-
NEWBIE DASH - 6/25, D-
NO SECOND PRANCES - 5/25, E+
APPLEJACK'S "DAY" OFF - 4/25, E+
WHERE THE APPLE LIES - 4/25, E+
P.P.O.V. (PONY POINT OF VIEW) - 3/25, E

While the list above highlights the entire rating list, I'm not yet done with this season. Next week, there will be a final analysis of the Season 6, highlighting the best and worst of it along with the results of my Predictions back in March, as well as the crowning of my Character Of The Season!

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I've been Freddy Thomas, you've been people reading. This has been an MLP Episode Review for The CC Network Blog. I'll see you all next time.

Monday 10 October 2016

WWE REVIEW: No Mercy 2016

After Backlash scored a respectable 5.75 out of 10 last month, could they keep the roll going? Based on the look of the card, it most certainly could.

SmackDown has been laying RAW to waste with its hard hitting yet sensible booking and good quality matches that feel like they have substance to their product, and with that, Shane & Bryan have made No Mercy feel like a PPV worthy of our time. However, building it up is one thing, delivering is a whole 'other kettle of fish altogether. Thankfully with three intense title matches and a grudge match that's been two months in the making look to ensure this card will keep WWE's PPV momentum going right until the end of the year. Lets see if they can do the job, and I will indeed give out no mercy if they get it wrong.

SPOILER WARNING - IF YOU DON'T WANT THE RESULTS RUINED, DO NOT READ ON.

If you've never seen The CC Network's video reviews of WWE events before, my review system that I use for those as well as these blogs will be new to you. Matches are given star ratings in accordance with an average, accumulated score of five rating factors: Psychology (in-ring story), Move Variety, Crowd Reaction, Match Length and Pacing, as well as my overall enjoyment as a result of those factors. 

THERE WILL BE NO ACCOMPANYING VIDEO DUE TO MY CURRENT HIATUS FROM UPLOADING NON-FRIDAY FLASHBACK REVIEWS TO THE CHANNEL.


Now time to get into the show. As I don't review the Pre-Show Match as part of the whole televised package, here's the result of that match:

The Hype Bros. & American Alpha def The Ascension & The Vaudevillians in an 8-Man Tag Team Match (9:11) 

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AJ STYLES (c) def DEAN AMBROSE & JOHN CENA IN A TRIPLE THREAT MATCH TO RETAIN/WIN THE WWE WORLD CHAMPIONSHIP (21:39)
PSYCHOLOGY: 3.5
MOVE VARIETY: 4
CROWD REACTION: 5
MATCH LENGTH AND PACING: 4.5
MY ENJOYMENT: 5
CORRECT PREDICTION: YES

FINAL RATING: ****3/4

The WWE World Title Match is the opener of the show... I know, it sounds crazy to think they'd do this, yet we can thank the Presidential Debate between Trump & Clinton for this piece of haphazard last-minute booking. WWE were so desperate to ensure they got their viewers before the debate started, that they'd jeopardise their own card structure for the sake of it. However, even with that, it didn't stop Cena, Ambrose or Styles from treating this like the main event of the show and while it took its time to get going, it was well worth it in the end.

The crowd were super hot for this, not just because it was the opener but an hotly anticipated title match, many of whom thought could go in a multitude of directions, based on how the match played out, WWE tried to give us the assumption that all three wrestlers could win, and based on the multitude of saving submission holds and breaking up dramatic near falls, that assumption would prove correct. Ambrose, Cena & Styles all stuck to their typical in-ring styles of aggressive brawling, strength based grappling and finessed strikes and hard hitting aerial moves respectively to ensure that no matter who was in the ring, what was happening didn't get old and it was the most frantic and desperate Triple Threat I've seen for some time as they all sought to hurt each other as well as keep showmanship in tact with the pace and momentum shifts being unrelenting but working fine in collaboration the near twenty-two minutes allocated. The moves on offer were at times inspired but also insane, spread out over the match to ensure it rejuvenated proceedings whenever it slowed, with the AA Counter, Pele Kick and Rebound Clothesline combo proving to be the spot of the night, alongside a particularly contentious STF/Calf Crusher double submission that put the simmering Cena/Ambrose antagonism over boiling point to give Cena's disrespect for both men come over as rather genuine and warranted.

With the story taking its time to settle in this match and a lack of body selling being the factor that stops it getting a FIVE STAR rating from me, outside of that the match was a sublime showcase of three of WWE's best right now giving a passionate performance that made that belt feel like it was worth something as they all have something to prove. It was all over the place yet had finesse in its execution, with Styles dirty victory keeping the doors open for where this feud will advance itself, with particular attention being put towards what could happen between Cena & Ambrose, something I am desperate to see now given how it helped this match. This was the main event we deserved to have, and it made the Presidential Debate look like the cartoonish car wreck it was, because in modern day wrestling, I'd hard press you to find a non -Japanese match this year that is as good as this, there haven't been many. What a way to kick the show off, lets hope it's not downhill from here.

NIKKI BELLA def CARMELLA (8:06)
PSYCHOLOGY: 2.5
MOVE VARIETY: 1.5
CROWD REACTION: 1.5
MATCH LENGTH AND PACING: 2
MY ENJOYMENT: 2
CORRECT PREDICTION: NO

FINAL RATING: *3/4

Considering my distaste for both Nikki Bella and Carmella over the last few years, the fact I was excited for this match should be quite a surprise to behold. These two, one an experienced for champion and the other an upstart looking to make a name for herself looked set to want to destroy each other, and for most of this match, they did just that.

Playing on Carmella's flexibility and her ferocious attacking power, she managed to overthrow Nikki's following the cat-fight and target the elder Bella's surgically repaired neck, and keep going at it throughout with slams, stretches and elbows, while also screaming at her and berating her status. This meant the match went at a slower pace than the opening minute and allowed the crowd to be invested in wanting Nikki to fight back, which in all fairness was easily held off allowing for Carmella to impress with her dominance, as well as her use of a Bow And Arrow stretch on the LED post, which was awesome. The Code Of Silence looked to have Nikki done, but she fought out and despite having the taste slapped out of her mouth, hit the Brie Buster and won against all logic.

The match went for just the right amount of time, and was pace nicely and while having a good build-up of a story playing out in the match, it undoes itself because alongside a merger crowd taking their time to get into it, had the wrong winner make you question how Carmella lost despite having eighty-five percent of the offence throughout? While I can understand WWE wanting Nikki to look stronger on her first solo PPV outing since Hell In A Cell 2015, to have it come at the expense of Carmella's momentum is baffling. That controversy withstanding, this match turned out to be more entertaining than expected and outside of the finish, was a good bout that showcased both women off well, it may not have been up to the par of RAW's recent Women's matches, but it definitely gave me an indication that Carmella is worth my time, despite my disliking of her, and that's a good thing.

HEATH SLATER & RHYNO (c) def THE USO'S TO RETAIN THE SMACKDOWN TAG TEAM CHAMPIONSHIPS (10:08)
PSYCHOLOGY: 1.5
MOVE VARIETY: 1.5
CROWD REACTION: 1.5
MATCH LENGTH AND PACING: 2
MY ENJOYMENT: 1.5
CORRECT PREDICTION: NO

FINAL RATING: *

Going into this match, I was fully expecting The Uso's to win, as were many people in fact. Hell, many were expecting American Alpha to make the assist if Beauty And The Man-Beast were to somehow win, which would've made a lot of sense. However, against all logic and sense, Heath Slater & Rhyno are holding this title a day longer than I expected. It didn't do too much to warrant my praise though.

The match reminded me of their prior encounter from Backlash, with The Uso's dominating proceedings early on, only for Slater and Rhyno to fight back and get the victory with multiple near falls along the way. This time however, Rhyno was the one who picked up the pin fall, which while nice, felt unnecessary as The Uso's, a team with a new image and attitude while feel even weaker than they were when they started, and with the heel teams failing to win on the pre-show it makes me question what the point of the champs retaining if they don't have any viable opponents to face. I will give The Uso's the credit for making this match feel like a grudge match by taunting ECW and Heath Slater's kids while slapping and kicking the crap out of both men, with Slater take the mother of all super kicks in the process. Slater got the crowd riled up and upped the pace, making this slow ten minute match have some bite into it going into its final run-in, topping the whole bunch off with a Top Rope Powerslam that was a beauty to see, reminding me of what a talent wrestler Slater can be given the time, despite my prior criticisms over the last few years.

While this match does get some praise, it was too similar to their Backlash match for my liking, and with a familiar result, alongside a lack of swerves and surprises to make it feel exciting, it looks like it got into ONE STAR territory of the barest of necessities. It tried to balance The Uso's strength, without hurting the champions, and while I can understand the reasoning behind this particular booking decision, I don't feel it benefitted the SmackDown Tag Team Division or this match. This title bout may have not been terrible, with some enjoyable quality to come out of it, but I'm now expecting more. So, by Survivor Series or even TLC in December, I'm wanting this division to start showing me its quality, or I could be disillusioned with these new titles already.

BARON CORBIN def JACK SWAGGER (7:28)
PSYCHOLOGY: 2
MOVE VARIETY: 1
CROWD REACTION: 1.5
MATCH LENGTH AND PACING: 1.5
MY ENJOYMENT: 1.5
CORRECT PREDICTION: YES

FINAL RATING: *

This match was scheduled to happen on the pre-show, but it was bumped to the main card once all the shenanigans were put into place from the aforementioned title match movement and a certain story we'll get to later. The build-up for it didn't leave me the most excited camper at the picnic, and even though it wasn't the most exciting match I've ever seen, it did what no match featuring The Lone Wolf has done since he arrived on the main roster post-WrestleMania, make him look strong.

This application of undying strength was done through Corbin's targeting of Swagger's hand after he kicked it between the steps and the LED post, giving this match some substance and a position from which Corbin's power and aggression had an outlet to mean something. The commentators noted that Corbin didn't want to be locked in the Patriot Lock again, especially after this past SmackDown and based on his offence and kicking the injured hand out of the hold, it was warranted and easy to see, especially as no matter what he did, Swagger somehow managed to get back into it, much to the Lone Wolf's chagrin. So when Swagger DID manage to get it locked in, Corbin almost pulled the apron skirt into the ring before raking the eye and holding the singlet to get a dirty victory that while underhanded, made Corbin look somewhat credible at the same time, because no matter what, he got the job done.

While the psychology was the best point of the match, not much else sprung up as enticing to see. The crowd bar Corbin's taunting were deathly silent, and I would've rated that category a one if those boos directed at The Lone Wolf weren't deafening in volume. The pace was mediated and methodical, which benefitted Corbin's style but thanks to Swagger's pace and momentum shifts despite the punishment he took, this match looked more even than it should have, and didn't give Corbin the resolute revenge for SmackDown's embarrassing 'tap-out' like it should have. This match no matter how inconsequential it may have seemed, did the LITTLE required to put it in some form of good book on my end and make Corbin look good, so I can't complain much. It wasn't anything special, but it did its job, while not taking up too much time. What's not to like?

DOLPH ZIGGLER def THE MIZ (c) IN A TITLE VS CAREER MATCH TO WIN THE WWE INTERCONTINENTAL CHAMPIONSHIP (19:42)
PSYCHOLOGY: 4.5
MOVE VARIETY: 1.5
CROWD REACTION: 4.5
MATCH LENGTH AND PACING: 3.5
MY ENJOYMENT: 4
CORRECT PREDICTION: YES


FINAL RATING: ****1/4

How this didn't main event the show I'll never know. How the most intense and passionate match on the card didn't get the top billing over Wyatt VS Orton will be plaguing the mind for the next week at least. Nonetheless, this was a do or die match for Ziggler and the result while all in all surprising, didn't take away from what was a stellar contest and the best match seen from The Show-Off in not only this year, but the last few altogether as well.

Once a respectable lock-up occurred at the beginning, you could tell it would be the only civilised aspect of the match as it turned into a battle of one-upmanship with Miz taking control and taunting the retired Daniel Bryan and copying his moves to really help put an already booing crowd firmly against him, keeping Ziggler off the offensive and pulling out a good array of moves to show he was all game. However, once Miz used the ropes for leverage off a pin, Ziggler got back into it and even after Miz targeted the knee for the Figure Four, he was still able to power through the pain and thanks to Lets Go Ziggler chants get a second wind. With the pace accelerating at an alarming pace, these guys battered each other with every big move in their playbook as the tension built, Miz used the exposed turnbuckle and nearly got the three, they both countered each other with precision and fluidity, it was intense and exhilarating to watch and it only got better with Maryse's spray interference backfiring and sending the crowd into a frenzy as Ziggler got his foot on the bottom rope, and even after interference from the Spirit Squad, Miz couldn't put the fellow Cleveland native down and to see Ziggler get the win sent the crowd into a humongous eruption of appreciation for a talent who finally got to showcase himself in a match that mattered for the first time in years.

This match was a thrill-ride of emotion and even with some slow moments bogging down early on, once it hit its peak it was difficult to critique it. It was an enjoyable, fun and worthwhile showing from the best feud on WWE television right now, and while it may not have been match of the night, it gave a story the likes of which RAW would have no hope in making feel as worth our time as this did. On top of that, Miz now has a rematch lined up... this could get very interesting in the coming weeks indeed.

NAOMI def ALEXA BLISS (5:24)
PSYCHOLOGY: 1.5
MOVE VARIETY: 1
CROWD REACTION: 1
MATCH LENGTH AND PACING: 1.5
MY ENJOYMENT: 1.5
CORRECT PREDICTION: NO

FINAL RATING: 1/2

Another last-minute booking change caught this event off guard, with SmackDown Women's Champion Becky Lynch being sidelined for a month with an undisclosed medical problem. Alexa Bliss has her match for the title penciled in for early November, but had to get through Naomi on this night. I don't know what I'm more disappointed about, the title match not happening or Alexa not benefitting from that fact? Being a big fan of Bliss since her NXT days, I'm sure it's the latter on this occasion.

Bliss had the majority of control, and worked Naomi down every chance she got, first on the head and then the arm, with Naomi selling well. The crowd were into Naomi, allowing her momentum shifts and offence in the match to have some substance, but thanks to the dominance Bliss had over her, it was stopped dead in its tracks multiple times. Bliss, much like Kevin Owens is a true heel and works that through her verbal tirades, telling Naomi that no one likes her and that she isn't on her level, even shutting down the We Want Becky chants, lovely.

Outside of Bliss's work on Naomi verbally and physically, alongside a decent amount of time given and me enjoying what the #1 contender contributed to the match, it felt like a lost cause as the crowd barely mustered a sound for Bliss's good work and with Naomi's sudden victory coming out of nowhere, it just makes Becky Lynch's challenger look like she's not up to her level, despite the weeks of build saying otherwise. The match had little moments, but not enough to retain massive interest. It was a hastily put together match and with its occasional sloppiness, from the women and Kevin Dunn's monumental botch changing camera to the tron and making it loop, the time may have been better placed somewhere else quite frankly. As a result, we get the first match to rank lower than ONE STAR since SummerSlam, which unsurprisingly featured Bliss and Naomi too... go figure.

BRAY WYATT def RANDY ORTON (15:42)
PSYCHOLOGY: 2
MOVE VARIETY: 1
CROWD REACTION: 1.5
MATCH LENGTH AND PACING: 1.5
MY ENJOYMENT: 1.5
CORRECT PREDICTION: YES

FINAL RATING: *

Luke Harper returned to get Bray the win tonight. While that is ONE dirty victory I can live with, I do have to ponder one simple, but now eternally burning question: HOW DID THIS MANAGE TO MAIN EVENT OVER THE INTERCONTINENTAL CHAMPIONSHIP MATCH? This bout lost all its steam extremely quickly and became a sleepwalker of a match that if not for its final five minutes would've fallen flat on its arse and not been able to climb out of the surge of damnation I was prepared to offload on it. I will give Orton and Wyatt credit for adding some intensity to proceedings, but it took too long to show up, much to this match's detriment.

Considering these two wanted to psychologically torment each other week after week, to see it not play out in the match itself in some way was disappointing, that along with the aforementioned lack of intensity, making this match feel like a stale contest that wasn't going anywhere. Outside of the occasional counter of moves and Wyatt taunting Orton, we got little to excite. The crowd however, sensing something good was going to come from the match going a long time decided to get behind Orton and started to make it come to life, with Wyatt's missed steel step Senton doing the trick to FINALLY get duelling chants going, with Luke Harper's unexpected arrival sending them into overdrive with a great pop. Wyatt, even though he missed the senton off the top rope as well, did manage a DDT on the apron which was nice as Orton did little to experiment with his well-versed arsenal, which Wyatt had a lot of fun countering in the best spell of this slog of a match. While it was nicely paced in places, with Orton's working on Wyatt's back being a nice segway at the end, it lasted way too long as it built up for a climax that was entirely worth it, but didn't need to take its sweet time to get there. The match needed more venom, more desire for both of these two to kill each other and based on the lacklustre response from the fans, they wanted it as well.

If this WAS the advertised main event of the show, many would call it a failure, as would I. This match was maybe saving itself for the Survivor Series clash next month, but to do it when it was bumped up from where it should've been implies that it was a wasted endeavour that needed to adapt to its new placing and give the people something worth the time. Alas, they weren't given it where a return and the ramping pace did enough to barely save it from the bottom of the pile. This match may only be the stepping stone to bigger things, but we need to see more justification of its importance over the coming weeks, because this match wasn't going to convince anyone of that. The wrong match main-evented this show, and while I'm happy Bray won despite the dirty finish, the event ended on a sobering and dull note that won't wash out of the mind in a hurry.


FINAL THOUGHTS
This Dean Ambrose image perfectly sums up my opinion on this show, as even though it had two Match Of The Year candidates, why did I feel so irritated once it ended? It was an event that gave me two fantastic matches, so why be bitter you may be asking? Well, if it weren't for the rest of the card's lacklustre performance, the re-shuffling of the card structure and unneeded victories coming from illogical places, we'd be looking at a better rating than what I'm willing to give it.

I had the same feeling coming out of Clash Of Champions, but got a more well-rounded show out of it despite its flaws. This event was heavily skewed in making the main event matches look sublime, and with the incredible World Title match happening on the opening slot, it was difficult for many of the rest of the undercard to match up, which in turn killed the crowd, with some results not helping their lack of apathy. If Becky Lynch wasn't sidelined by this unknown ailment, we would've gotten at least a TWO STAR title match I'm certain and if Carmella and The Uso's picked up wins in matches that they needed to win, we'd be looking at a more positive card for sure.

While many may consider it unfair that I'm giving this event the worst PPV rating of the year so far considering the quality of its main matches, it has to be noted that two fantastic matches on an underwhelming seven match card doesn't a good PPV make. If the rest of the card pulled their weight and if last-minute booking for some extra publicity didn't ruin the flow of the night, this show might've looked better in my eyes than it does. For the first time this year, a show has disappointed me while giving me something to remember, which isn't good. This card was better than Clash Of Champions and should've done better considering what we had on offer, too bad fate and circumstance got in the way, we'd have been in for a good show otherwise.

NO MERCY 2016 GETS A 4 OUT OF 10

In relation to other 2016 events, it lines up as follows:

Payback: 7.75/10
Royal Rumble: 6/10
Battleground: 6/10
WrestleMania 32: 6/10
Backlash: 5.75/10
SummerSlam: 5.5/10
Clash Of Champions: 5.25/10
Extreme Rules: 4.75/10
Money In The Bank: 4.5/10
Fastlane: 4.25/10
No Mercy: 4/10

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I've been Freddy Thomas, you've been people reading. This has been the No Mercy 2016 Review for The CC Network Blog and I'll see you all next time.

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